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DRUKER / SNITCH, RINO BARBIR, 19’

Deni je tinejdžer koji želi živjeti život svojih heroja iz rap pjesama. Njegova majka Sonja zaštitnički je nastrojena i apsolutna podrška svom ljubimcu. U želji da se dokaže razrednom kolegi i školskom nasilniku Kelamu, Deni počini manje kriminalno djelo. Kada policija dođe u Denijev dom, on je spreman priznati svoju krivnju, međutim Sonja ima drugačije planove.

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Deni is a teenager who wants to live the life of his idols from rap songs. His mother Sonja is an overprotective woman and an absolute support to her only child. In an attempt to prove himself and earn respect from his class colleague and a major school bully, Kelam, Deni commits a minor criminal act. When faced by the police, Deni wants to admit his guilt, but Sonja has different intentions. 

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5.4. , LUCIJA ANA ILIJIĆ, 7’

Stanovnike Zagreba naglo je iz sna prenuo snažan potres u rano nedjeljno jutro.

U pokušaju da se sačuva kolektivno sjećanje na događaje koji su uslijedili usred

pandemije korona virusa, nekoliko glasova prepričava svoj doživljaj potresa i

kakav je trag ostavio na njih.

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The citizens of Zagreb were woken up abruptly from their sleep by a powerful earthquake on that fateful Sunday morning. In an attempt to preserve the collective memory of the events that took place in the midst of the coronavirus outbreak, several voices talk about their experience of it and how it affected them in the days that followed.

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KONTRAPUNKT / COUNTERPOINT, IVAN KOROMAN, 23’31’’

U malom matičnom uredu odjela lokalne uprave, pod neonskim svjetlima nema ništa novo. Direktor ureda i njegovi zaposlenici provlače se kroz rutinu. Jedan zaposlenik odluči prekršiti status quo.

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In a small registry office of a local government department, there is nothing new under the neon lights. The manager of the office and his employees shuffle through the routine. One employee decides to break the status quo.

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SLUČAJ ŽUTOG TULIPANA / THE CASE OF YELLOW TULIP, HRVOJE WÄCHTER, 17’03’’

Radnja filma je smještena u kasnim 20-ima. Priča prati detektiva koji pokušava riješiti slučaj serijskog ubojice te se uz njega bori i sa vlastitim životnim problemima

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The plot of the film is set in the late 20s. The story follows a detective who solves a serial killer case and fights with his own life problems.

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JOŠ JEDAN ODLAZAK / YET ANOTHER DEPARTURE, RENATA POLJAK, 11’11’’

Godine 2016. admiralski brod Vis Jugoslavenske mornarice potopljen je kako bi postao turistička atrakcija za ronioce. Danas se brod nalazi u podmorju blizu Brijuna, gdje su 1956. Godine Nasser, Nehru i Tito započeli razgovore o Pokretu nesvrstanih. Koristeći vizualno dojmljive kadrove, film uspostavlja autorski prepoznatljiv prostorno-vremenski narativ zalazeći istodobno u područje prožimanja osobne, odnosno kolektivne memorije i zaborava. 

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In 2016, the ex-Yugoslav Navy flagship Vis was deliberately sunk in order to turn it into a scuba

diving attraction in Croatia. The ship lies on the seabed of the waters close to Brijuni Islands

where in 1956 Nasser, Nehru and Tito met to discuss their opposition to the Cold War and the

formation of the Nonaligned Movement. By employing visually impressive shots, the film establishes a signature spatial and temporal narrative, at the same time entering the space of fusion of personal and collective memory and dismemory.

©2019 by Betina Film Festival